1/17/2024 0 Comments Fordham scaffold equipment ltd“I got three mouths to feed,” Monica explains, “and I mean three, not four, because I’ve no time to eat. Evicted from another NYCHA development a year earlier, Monica’s older sister now sleeps on the living room couch. A single mother of two young children, she works overnight shifts at a corner deli further uptown. Monica, a NYCHA tenant, has lived in one of these buildings for almost a decade. “Take these down, and then maybe I’ll go to one of those meetings! Give and take, no?” “These have been up forever,” she gripes. Weaving through the Amsterdam Houses, Monica gestures towards the green scaffolding that encases the aging brick buildings. Title of Project: Create (and House) NYC: Possibilities for Participatory Urban Planning Pictures suggest the interbeing of the places we construct and what is already Within the landscape to construct a more immediate and personal experience, my Which the man-made and the natural often echo each other: A light pole becomesĪ industrialized tree with sparse leaves hanging from it a lone tree in aīroad plain appears intentionally planted, landscaped. In contrast, my own photographs explore a more complicated relationship in Robert Adams has commented on the beauty of nature and man’s intrusion into it. Photographers such asįrank Gohlke see nature as the ultimate conquering force of human beings Presupposition of a dichotomy between man and nature. Classic documentary landscape photography has been built on the Her work focuses on the confusing relationship between the unnatural and natural.īlack-and-white photographs investigate the confusing experience ofĭifferentiating the natural from the unnatural in cultural and historical Title of Research: New Mexico’s National Historic SitesĮrin O’Flynn is a recent graduate from Fordham University, pursuing a career in photography as a photo editor at TIME. Major: Visual Arts (Photography Concentration) and Urban Studies
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